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RippleTraining – Building a Promo in Final Cut Pro

Archive Critical Camera Data
Organize Media with Speed & Efficiency
Work with Multicam Interviews
Improve Interview Dialogue
Import and Grade with RED media

Organize with Efficiency

When a client only gives you a few days to turn around a project, speed is everything. In this tutorial, we’ll show you our best methods for imposing organizational structure to the clips in your Library so you’ll spend less time searching for good material.

Tame the Peaks

Controlling your audio levels is essential for delivering a promo where the dialogue is normalized and is protected from audio clipping. We’ll show you how to properly monitor your sound levels and what specific audio effect works wonders on single-mic interviews.

Color Me Perfect

Shooting with a wide variety of cameras can present challenges for getting the contrast and color balance to look consistent across the edit. Using Final Cut Pro X’s video scopes and Color Tools, we’ll show you how to deal with the most common color correction scenarios you’re likely to encounter.

Build a Corporate ID

Working with logos and graphics are a common occurrence in corporate videos. In this tutorial, you’ll learn how to work with a layered Photoshop file and a photograph to create an animated template that can be used and modified in other projects.

Who this Tutorial is for:

This tutorial is for anyone who wants to understand the complete post workflow for importing, editing, color grading, audio sweetening and delivering a corporate video. This tutorial is an intermediate workflow tutorial and it assumes basic familiarity with the Final Cut Pro X user interface. Users who are new to Final Cut Pro should purchase Final Cut Pro X Core Training before working through this tutorial.

Software Version: Final Cut Pro 10.4.1 or later. Free update coming with FCP 10.4 features added.

Run Time: 2 hours 31 minutes

Project Media: Project Media is Included

Type of Tutorial: Workflow Specific

Building a Promo in Final Cut Pro 10.4

1. Introduction

Tutorial Overview
The Project Brief
Production Scheduling
Production Gear
Quintessa Videos
Interview Setups

2. Creating Media Backups

Data Wrangling
The Necessity of Camera Archives
Backing Up Media Cards in the Finder
Maintaining Card Data Structures
The Anatomy of a Camera Archive

3. Importing Your Media

Choosing a Library Storage Option
Preparing Media for Import
Creating Multiple Selection Ranges
Clearing Selection Ranges
Importing Your Media

4. Importing Red Media

Setting up FCP X for RED Workflow
Understanding RED File Structures
Viewing R3D Media in the Import Window
Transcoding RED Media

5. Fixing Time Date Issues

Setting Up Your Workspace
Sorting by Content Creation Date
Getting Back to the Future
Assigning Custom Command

6. Warp Speed Clip Tagging

Pre-Organizing Your Media
Creating Keyword Collections
Skimmer Keyword Tagging
Rejecting Clips
Creating and Removing Keywords

7. Syncing & Organizing Interviews

Assigning Camera Metadata
Creating a Multicam Clip
Working in the Angle Viewer
Working in the Angle Editor
Checking Sync

8. Breaking Down the Interview

Rating the Interview
Naming Your Favorites
Reconfiguring the Smart Collection

9. Building the Rough Cut

Removing Filler Words
Using the Flow Transition
Creating Timing Space
Removing Unintelligible Words
Adding To Do Markers
Adding B-Roll

10. Refining the Edit – Part 1

Connect Edit Cutaways
Clip Filtering
Adjusting Clip Timing
Creating Connected Storylines
Matching Action
Rolling the Edit
Rippling the Edit

11. Refining the Edit – Part 2

Adding a Timing Gap
Auditioning Alternate Clips
Cutting to Angle B
Retiming a Clip
Lift from Storyline
Final Refinements

12. Sweetening the Soundtrack

Creating a Workspace
Evaluating the Audio Signal
Configuring the Audio for Effects
Working with a Limiter
Copying & Pasting the Limiter

13. Adding Music & Effects

Adding Music
Setting Proper Levels
Performing a 3-Point Edit
Ducking the Music
Timing Edits to Music
Adding Sound Effects

14. Primary Color Correction

Configuring the Scopes Window
Color Correction Commands
Improving Dynamic Range
Improving Color Saturation
Adding a Sharpen Filter
Copying & Pasting Corrections
Fixing Color Balance Issues
Apply Correction from Previous Edit
The Match Color Command
Subjective vs. Objective Corrections
Saving a Color Correction Preset

15. Secondary Color Correction

16. Color Correcting RED Media

Metadata Manipulation
Altering the RAW Settings
Transcoding RED Medi

17. Working with Titles & Graphics

Locating Titles & Generators
Previewing Titles
Adding a Lower Third
Repurposing Titles

18. Adding a Corporate ID

Adding a Graphic ID Template
Adding a Photo Background
Building the Graphic
Animating Photoshop Layers
Repurposing Graphics

19. Delivering the Finished Promo

Assigning Metadata
Creating Custom Metadata
Reusing Tags
Frame.io

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Building a Promo in Final Cut Pro By RippleTraining